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Unified Patent Court Procedure: A Commentary

為了解決Court的問題，作者Augenstein, Christof/ Age, Sabine/ Wilson, Alex 這樣論述：

Christof Augenstein, Sabine Agé and Alex Wilson are experienced patent specialists working for renowned law practices.

Court進入發燒排行的影片

沙氏法對收益結構和績效之影響：臺灣會計師產業的證據

為了解決Court的問題，作者陳劍雄 這樣論述：

美國於2002年7月發布沙氏法案(The Sarbanes-Oxley Act of 2002, SOX)，SOX法案及其精神導致會計師產業發生重大變化。本文探討SOX與會計師產業收益結構和績效之關聯性，使用臺灣「1992-2019年會計師事務所服務業調查報告」的22,356筆觀察資料，透過收益函數來探討SOX對會計師產業之總收益、傳統服務份額、稅務服務份額和管理諮詢服務份額之影響。同時，本研究依樣本類型分為小型、中型、大型和國際型會計師事務所，從經濟管制理論(Theory of Economic Regulation, TER)的角度，考察SOX管制制度對會計師事務所績效之影響。我們運用會

計師產業的translog收益函數，並建立了迴歸方程式來檢驗我們的假說。本研究發現SOX法案對非國際型會計師事務所的收益產生了消極影響，但對國際型會計師事務所的收益產生了積極影響。SOX法案增加了非國際型會計師事務所的稅務服務份額，同時也增加了國際型會計師事務所的稅務服務份額。此外，我們還發現SOX法案對四種不同規模的會計師事務所的經營績效都存在正向影響。進一步的結果表明，在SOX管制之下，大型和國際型會計師事務所直接獲得了管制的利益(直接管制效應)，小型和中型事務所間接獲得管制的利益(間接管制效應)。本研究有助於文獻研究，為監管機構完善會計師事務所管理提供啟示。

The Battle of the Somme 1916: Developing the Offensive – July to Mid September

為了解決Court的問題，作者Cave, Nigel/ Sheldon, Jack 這樣論述：

After the initial anticipation of great results for the Allied offensive that opened on 1 July, the French and the British had to consider their next moves. Haig made the fateful decision to reinforce perceived success at the center and south of the British line (although Joffre, rightly, wished

to continue the pressure at Thiepval). The result was a series of minor (if expensive) operations to provide a suitable base line for the next major British assault along the Bazentin Ridge, running approximately from east of Longueval to west of Bazentin le Petit Wood. Thus Ovillers, Mametz Wood an

d Tr nes Wood became prominent in Britain's military history. The French soon began to appreciate that the great success south of the river on 1 July was not going to achieve much more unless the front was extended southwards (impractical, given pressure at Verdun and limited manpower resources); or

if advances could be made north of the river that would outflank the Germans to the south. Meanwhile Falkenhayn continued to believe in the imminence of British offensive action further north, in French Flanders, despite the fact that he was reassured time and again that there was no evidence for t

his and that in any case such an eventuality could be contained with reduced resources. Eventually the offensive in Verdun was halted, in late August Falkenhayn was removed after he had presided over increasing friction at the highest level on the Somme front amongst senior commanders; Ludendorff an

d Hindenburg took over and the genius of German defensive measures, Lo berg, arrived on the scene. This book covers actions at Ovillers, Pozi res (notably involving the Australians) Mametz, Delville Wood (South Africa's first great war time action in Europe), the bitter fighting at High Wood, all le

ading up to the great attack on the Somme on 15 September. This was the third such major effort by the British army and the first time since 1 July that the Allies had attacked simultaneously in strength. The book then looks at aspects of the fighting associated with this attack, in particular the r

ole of the New Zealand Division and of the Guards Division around Les Boeufs. It then concentrates on the Anglo French boundary area (Guillemont and Combles) before considering French activity at Maurepas, Cl ry, Biaches and La Maisonette and the extension of the French front on 3 September, with fi

ghting at Soy court, Lihons and Vermandovillers. The book ends with a review of the situation both sides found themselves in mid September, before the action continued its relentless grind at extraordinary cost in men and materiel.

筆韻深耕─翁易群水墨寫生創作論述

為了解決Court的問題，作者翁易群 這樣論述：

本創作論述，彙整了筆者創作的三個系列：「憶花憶草」、「圓與缺」、「數樹」共十五件作品。筆者以寫生自然作為創作基礎，運用工筆技法，將記憶中的「懷舊鄉情」以象徵性的物件表現出來。並探討北宋的自然寫實繪畫觀、台灣日治時期「台展」帶有地方風土色彩的繪畫與1970年代興起的台灣鄉土寫實風格，並將以上寫生觀念融入於個人的創作中。本論文分為五章，第一章緒論說明筆者的研究目的，希望藉著前人發展的鄉土寫實觀念，銜接自身對於童年鄉情的嚮往與懷念，並以寫生創作的方式，讓精神能暫時回歸沉澱，以抒發生活中的壓力。第二章學理基礎，分別對北宋的自然寫實精神、日治時期的鄉土寫實風格與台灣鄉土寫實觀念做了分析與探討。北宋的寫

實精神，從早期的「院畫」轉變為自然寫實，而日治時期的「台展」則鼓勵創作具炎方色彩的台灣鄉土景色，至於1970年代興起的台灣鄉土寫實風格，引發珍愛台灣土地的風潮，仍延續至今。第三章主要說明個人的創作理念，是以真正貼近筆者童年生活的平凡花草入畫，並藉著忠實寫生的過程中，提取出深藏於心的故鄉元素來完成創作。第四章則對三個創作系列進行介紹，並依序做主題內涵的探討與創作形式的分析。第五章結論則為本論文的研究做總結並敘明筆者未來的研究方向。