scorching中文的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到附近那裡買和營業時間的推薦產品

The Speaking Seed

為了解決scorching中文的問題，作者唐華瑄 這樣論述：

你現在所看到的是第一本探討使用外語進行公開演講的書。 　　作者唐華瑄 Diana Watson 是專業演説家 ，《演說種子》《The Speaking Seed》一書揭露多年以來她用中文演講，指導外語演講者，進而發展出《演說種子》課程的過程中所發現的秘訣。在此之前，只有她的客戶有幸能學得這些演講訣竅，現在您也得以一窺究竟。 　　多年來旅居世界各地，唐華瑄精通四種語言，並贏得多次演講比賽的獎項。多語及豐富的演講經歷，讓她體悟到 ── 結合公開演講和外語學習，為溝通開啟了無限可能，甚至可以影響世界。三年來，她運用這套課程進行演說，讓自己在公開演講的領域更上層樓；在台灣的一次演講比賽中，外籍人士

的她更以優異風趣的中文演說，打敗所有的中文母語参賽者，成為第一個獲得冠軍的外國人。 　　《演說種子》分成六個階段，在每一章的最後都有一些問題幫助你複習與整理，並附有演說種子學習單，可以影印及分享。 　　《演說種子》各個階段可以幫助你 ── 　　1.   瞭解《演說種子》的概念。 　　2.  克服使用外語發表公開演説的挑戰。 　　3.  寫出第一篇「演説種子」的演講稿。 　　4.  練習演説，使用手勢和道具，並且克服緊張。 　　5.  逐步提升語言能力，從會説簡單的句型到發表完整的演說。 　　6.  善用工具和技巧，深化演説經驗。   作者簡介 唐華瑄 　　唐華瑄Diana Wats

on 是語言愛好者，美語教師，演說教練及國際知名的演說家。她運用《演說種子》的技巧指導外語演說者。《演說種子：使用外語公開演講的成功密訣》， 是第一本探討外語公開演講相關技巧的專書。不論語言程度如何，所有的人都可以經由本書的幫助，自信地使用外語溝通。 　　唐華瑄在書中分享自己身為教師，演說家，及演說教練的故事和經驗。她發現舊有的外語學習方法需要重新省視，全球化的現代社會迫切需要演說種子，加深互相理解，增進人際關係，促進世界和平。   Introduction My Speaking Seed Journey 我的演說種子之旅 How to Read This Book 如

何閱讀此書 Stage 1 ― Ready to Get Dirty? 準備好下田耕耘了嗎？ Chapter 1 What Is a Speaking Seed? 何謂演說種子? Chapter 2 Learning a Foreign Language 學習一種外語 Respecting the Language 尊重該語言 Chapter 3 Showing Up 站出來 A Note about Determination 關於決心 A Word about Fluency 關於流暢度 Stage 2 ― Seeding 播種階段 Chapter 4 Ego 自我 Chapter 5

Your Seed is Worth Sharing 你的種子值得分享 Chapter 6 Focus 專注 Meditation 冥想 Chapter 7 Fear 懼怕 Chapter 8 Mirrors & Self Love 鏡像 & 愛自己 Stage 3 ― Planting 種植階段 Chapter 9 Baby Speaking Seed Steps 演說種子循序漸進 Starting Out 開始起步 Chapter 10 Get Your Seeds in a Row 排列你的種子不間斷 Chapter 11 Writing Speaking Seed Speeches

撰寫演說種子的講稿 Introductions 開場 Body Paragraphs 本文段落 Conclusions 結論 Chapter 12 Stories vs. Experiences 故事 vs. 經驗 Chapter 13 Creating & Revising Speeches 創作並繼續修改講稿 Stage 4 ― Sprouting 萌芽階段 Chapter 14 Oral Production & Speaking 口頭呈現及演講 Chapter 15 Practice, Practice, Practice, Nerves, Nerves, Nerves 練習、練習

、練習、緊張、緊張、緊張 To Memorize or Not to Memorize? 要背稿? 或不要背稿? Seed Time 舞台練習時間 Chapter 16 Crutches & Supports 協助和支援 Chapter 17 Gestures 手勢 Chapter 18 Watering Your Plants 灌溉你的植物 Chapter 19 Dressing Well 適當的服裝 Stage 5 ― Growth 成長階段 Chapter 20 Short Responses 即席短講 Chapter 21 The Funny Farmer 幽默的農夫 Chapter

22 Making Telephone Calls 打電話 Chapter 23 Reading Poetry 閱讀詩章 Chapter 24 Learning with Dialogues 從對話中學習 Chapter 25 Monodramas 獨角戲 Chapter 26 Advanced Speaking Seed Speeches 演說種子的進階演講 Chapter 27 Poisonous PowerPoints 有破壞性的投影片 Stage 6 ― Speaking Seed Tools 演說種子輔助工具 Chapter 28 Vocal & Physical Exercis

es 聲調和肢體訓練 Chapter 29 New Technology 新科技 Smartphones & Apps 手機& APP Video Sharing & Streaming Platforms 影像分享& 網路平台 Virtual & Augmented Reality Technologies 虛擬& 擴增實境科技 Video Chat & Webinar Platforms 影像聊天& 網路研討平台 Chapter 30 Goals & Rewards 目標& 獎賞 Give Yourself an Early Reward 提前給自己獎賞 Chapter 31 Slow &

Steady Growth Wins the Race 緩慢安穩的成長必贏得勝利 Conclusion References Acknowledgments Index   推薦序 　　Diana Watson唐華瑄來台13年，去年參加一場國語演講比賽，過程中生動活潑手勢和幽默輕鬆口吻，將台灣生活點滴和台下聽眾親切互動，流利的中文贏得滿堂喝采拿下幽默演講第一名。影片月中被放上影音分享網站Youtube後爆紅，點閱率兩周餘已破百萬。－蘋果日報 　　Diana is masterful with her words but when it comes to writing about

her passion, she is mesmerizing! Her expertise in her subject is unquestionable and is made all the more interesting by the humour that peppers her writing.-Deepak Menon, DTM 2018-2019 International President-Elect 作者序 　　“Always do what you are afraid to do.”— Ralph Waldo Emerson 　　Wintertime is

my favorite season in Taiwan... if I don’t think about all the mosquitoes, of course. From April until November, the non-stop scorching humid weather drains all of my energy and makes my air conditioner my best friend. But with the winter comes cool breezes, 5 p.m. sunsets, and the chance to wear so

mething other than tank tops and sandals. On this particular winter day, I had carefully chosen a nice blouse and comfortable pants, seeing as I was going to be nervous giving my first speech in a foreign language. 　　I was about to deliver a presentation in Mandarin at a Toastmasters club where all

of the members were Taiwanese locals. The more I thought about what I was doing, the more worried I got. “Girl, even though you hate it sometimes,” I reminded myself, “you are a challenge junkie!” Since I was a child, I’ve forced myself to do things that I was afraid to do because I wanted to be be

tter, stronger, different from others. 　　I kept scratching the sides of my legs even though they weren’t itching. My stomach felt like I had eaten french fries slathered in tons of grease. My heart was pounding so fast I thought I would have a heart attack. But before I had a chance to convince mys

elf that this all was a crazy idea and make a run for the exit, the last speaker finished. All eyes were now on me like searchlights in the dark. 　　I got out of my chair and peered at my audience before I went to the front of the room. I hadn’t been this nervous since I lost my virginity. My stomac

h rumbled like it was full of rocks while the Toastmaster (the master of ceremonies for the evening) introduced me. I was one of the first foreigners to join their club in over 15 years. Fifteen years? I realized at that moment that I was not a smart person. 　　I had spent the past two weeks practic

ing my short, four-minute speech with my Taiwanese roommate and my tutor. To be prepared, I thought it would be great if I wrote out my speech on four small pieces of poorly designed Snoopy paper. It was blue, adorned with graph lines that went all the way out to the edges of each sheet. 　　After I

wrote the speech in English, I wrote it out in pinyin (Mandarin written in the Roman alphabet). While I practiced giving the speech, I soon became aware that I couldn’t read pinyin that well. My sentences were simple, but my pronunciation and tones sounded like I was singing a horrible heavy metal s

ong rather than a flowing Chinese opera. For the past two weeks, I had done nothing but practice my speech. I had tried to get my voice to climb high like a soprano, to stay high and flat on that mountaintop, to charge down quickly into a deep pit, to roll up and down like a roller coaster... But st

ill, my erratic pauses caused me to stumble over phrases and skip parts of the speech. In short, even though I had practiced non-stop for two weeks, my delivery still sucked, and I knew it. Between the ridiculous papers I had clutched in my hands and my poor Mandarin reading skills, I felt certain t

hat my speech was doomed. 　　I looked around the room. It was small enough to make me visible to everyone, but large enough that only the people sitting in the first few rows would be able to see my hands shake and my lips quiver. I began speaking, my eyes focused on a black spot I saw on the ceilin

g towards the back of the room — probably a roach. I figured that if I centered on that roach, then I wouldn’t see the faces of my audience, and I wouldn’t lose my place on my graph-lined Snoopy paper and wind up suddenly stopping. Becoming a silent statue would be the worst-case scenario. Yes, look

ing at something that normally grosses me out was definitely a good idea, I decided. 　　At the end of my speech, I finally mustered the courage to look at my audience. I couldn’t believe it. All eyes were on me. Not a single person was looking at their watch or their cell phone. That was when I real

ized that Toastmasters clubs provide the perfect atmosphere for people to practice foreign language public speaking. Even if you deliver an almost incomprehensible speech, like I did, your listeners will be patient and attentive because none of them want to appear rude or, worse yet, miss out on som

ething. 　　Those were the longest four minutes of my life... And then the silent pause after my speech was deafening. I guess my audience needed time to process my speech just as much I needed time to process the fact that I had completed my first speech in Mandarin. I thought to myself, “Finally, D

iana, after two-and-a-half years of countless hours of study and practice, you can make a speech that locals can understand.” Then, to my surprise, everyone stood up and clapped. I wanted to cry. Perhaps I did cry. I can’t remember what I did exactly, but I do remember that I didn’t die from a heart

attack like I thought I would. Instead, I scanned the faces around the room and saw only smiles and applause. 　　That speech — my first one delivered in a language other than English — was over a decade ago. Ever since then, I’ve been digging my shovel into the earth of foreign language public spea

king. I’ve become a Speaking Seed.  

scorching中文進入發燒排行的影片

溫泉水應用於冷萃咖啡風味之研究

為了解決scorching中文的問題，作者周淑娟 這樣論述：

近年來咖啡豆進口量增長快速，無論進口數量或金額皆同步成長，咖啡近年來已成為全球最受歡迎的飲品之一。尤其是在炎炎的夏季，冷萃咖啡已成為一種流行現象，並為咖啡行業注入了新的活力。人類不斷積極開發自然資源並予以利用，溫泉水即為人類長期開發之自然資源。本研究分別用逆滲透RO水、知本溫泉水、四重溪溫泉水、礁溪溫泉水、金崙溫泉水五種試驗水樣作為冷萃咖啡之樣本，探討溫泉水對冷萃咖啡風味的影響。本研究試驗以感官品評及儀器檢測二部分進行之，感官品評以各水樣冷萃咖啡產品之外觀、口感、香味等之喜好性及產品之飲用後在口中風味（酸味、苦味、甜味）之感受變化進行調查，另一方面則應用儀器檢測紀錄冷萃咖啡之濃度﹑酸鹼度、導

電度、總溶解固體物等數值變化情形。感官品評統計分析結果顯示﹕整體表現以金崙溫泉及逆滲透RO水樣冷萃咖啡接受度最高，知本溫泉冷萃咖啡接受度最低。此外，儀器量測結果發現﹕礁溪溫泉﹑四重溪溫泉水﹑金崙溫泉水這三種水樣在製備冷萃咖啡後，導電度與總溶解固體量等二項增加量為最多，其次是知本溫泉水，增加最少的是逆滲透RO水。

The Accusation

為了解決scorching中文的問題，作者Bandi 這樣論述：

如果北韓是綻放笑容的地獄， 他就是在地獄裡幽微閃爍的螢火蟲之光…… 　　韓國kyobo、英國Amazon書店讀者★★★★★驚世推薦！ 　　我不是用筆和墨水寫這本書，我用的是血淚和骨頭。或許這些故事像沙漠一樣貧瘠、像荒野雜草一樣粗糙，或是像石製工具一樣不堪，但親愛的讀者，請您讀它吧！ ──潘迪 　　在這裡，「階級成分」不好的人，連努力的資格都沒有；孩子害怕馬克思肖像，父母就等著被流放；即使一輩子忠黨愛國，死前卻依舊一無所有；就算父母臨終，想見最後一面，沒有「通行證」也寸步難行；甚至表達情感的自由都是一種奢求，偉大領袖駕崩，連你致哀的次數都有人偷偷記錄…… 　　對生活在這裡的人來說

，這個地獄就叫作「北韓」。歷經無數次生離死別，作者潘迪親眼目睹諸多不公不義，決心為同胞發聲，暗地裡將他的所見所聞記錄下來。不同於坊間關於北韓的書籍多由西方新聞記者採訪撰寫或是「脫北」者的回憶錄，潘迪是第一位目前仍然生活在北韓的作者。他冒著生命危險，將秘密撰寫多年的手稿小心收藏，最後夾帶在《金日成選集》中才得以「偷渡」到南韓公諸於世。 　　七篇故事，也是對北韓的七個控訴，潘迪用生命凝鍊，以憤怒提筆，一手揭發北韓五十年來的專制、謊言與民不聊生的真相，也帶領我們深入這個外人難以想像的險惡國度。儘管沉痛到讓人不忍卒讀，但只要多一個人看到，就能為這個墨一般黑的地獄深淵，點燃一絲希望之光。 好評推薦

　　我們能做的，只有細細讀完書中每一則「控訴」，只有這樣，才能拯救冒著生命危險把這些故事寫下來並傳布到全世界的作者。——《請照顧我媽媽》暢銷作家／申京淑 　　精采絕倫的故事……揭露了居住在這個國家的可怕真相，任何自由都被剝奪，饑荒與暴行層出不窮，但人心中的信念與希望仍有機會度過這一切苦難。二○一七年度必讀經典！──英國《翡翠街》雜誌 　　《控訴》作為第一部自獨裁國家北韓偷渡出境的文學作品，持續締造國際性的歷史紀錄……這些熠熠發光的故事揭露了人民日復一日承受駭人挑戰的絕望生活……潘迪筆下的角色對於控訴充滿恐懼與懸念，而《控訴》這個書名則是犀利懇切地穿透了讀者的心！——《書單》雜誌 　　《

控訴》是個引人入勝的故事，也是個意義非凡的故事，替韓國半島上為陰影所覆蓋的那半邊灑下光明……這些故事對作者而言或許像是一種驅魔儀式，對我們而言則如同真相大公開。《控訴》雖是虛構小說，卻字字句句都在嘶吼吶喊著真相。如同另一部偉大的文學經典《伊凡傑尼索維奇的一天》一般，《控訴》是一部力道十足的作品，大有可能成為朝鮮民主主義人民共和國國民苦難生活的歷史性教材。——加拿大國家郵報 　　充滿勇氣與驚懼困惑的短篇故事集……我默默地領受這份特權，透過傾聽這些生動且無懈可擊的故事，認識那個無聲的世界……這部故事集似乎是黑暗北韓中閃爍的一道光，同時也不經意地在提醒我們，那兒越來越暗了。──《新政治家》周刊

　　潘迪的寫作風格與西方小說作者截然不同……其直白、單純的架構與故事本身十分相襯，畢竟故事內容已經如此富戲劇性、如此令人揪心，再做任何補充都顯得多餘……《控訴》相當易讀……且值得一讀！──Crime Fiction Lover網站 　　一部貨真價實的「逃亡」小說，對北韓這個金氏王朝及其追隨者眼中的天堂，有著極具破壞性的批判……故事帶著一絲鮮明的諷刺意味，但絕大多數都是肅穆而真實……作者顯然與北韓各個社會階級都有相當廣泛的接觸，從工人、農民到中級政務官……是一部相當重要的目擊紀錄。──寇克斯評論 　　用一種非常印象派、非常隱晦、幾乎是遮遮掩掩的口氣來描述獨裁國家的日常生活……這本書讓我們對於

在北韓受盡苦難的人們的臉孔和他們的生活有了清晰的畫面……讀完時我幾乎要長嘆，提醒自己能生活在民主國家有多麼幸運……我曾想過歐威爾和卡夫卡，但此時才幡然領悟他們描述的國家確實存在，也有人確實生活在其中，而他們或許根本不知道人生還有其他截然不同的可能。──法國《L’express》雜誌 　　本書帶領我們墜入北韓家庭的日常生活，這些故事是一個在極權主義下無法呼吸的男人的哭嚎，也是在北韓共產主義的桎梏下支離破碎的全體人民的吶喊……作者藉著故事、詩歌、幽默甚至滑稽的手法，譴責種種讓人無法忍受的不公不義。筆觸簡潔謙和，賦予作品獨特美感，這七篇故事閃耀著人性的柔光。──義大利《Aleteia》網站 　　

一部罕見的作品，集結了七篇動人的故事，讓我們一窺這個神秘國家的模樣，那兒流出的訊息從來沒有正常過……與金正恩政權所塑造的華美壯觀卻荒誕可笑的形象大異其趣，《控訴》讓人們有機會發掘這個神秘國度的動人面貌，在這塊被遺忘的土地上，人性只求有那麼一絲勝出的契機。──《閱讀》雜誌 　　「潘迪」──原意為「螢火蟲」的化名作者，他已創下無法想像的紀錄──針對北韓的獨裁政權留下證詞，人還留在境內……一如索忍尼辛和其作品在他那個時代所締造的成就一般，潘迪的故事在在提醒我們，無論代價為何，打擊審查制度這場戰役一定要堅持下去！──法國《L’amour des livres》雜誌 　　沒人能想像得到，生活在獨裁政

權下會與滑稽扯上關係，但敘述這個無限荒謬的體制的過程中，潘迪有時真的會讓讀者迸出緊張的笑聲……在這個弄不清民主與愚民政策的國家裡，這部作品就像一道微光！──法國《L’Alsace》雜誌 　　潘迪呈現了北韓在金日成（及其後繼者）統治下的嚴峻景象。故事發生的時間距今已超過二十年，但即使真有任何改善，這部作品依然相當準確地描述了北韓人民今時今日的生活樣貌……我是少數讀過本書也去過北韓的人，而我可以告訴你，本書所述與我去年夏季在當地的所見所聞毫無二致。──「書人」書店執行長／史提夫‧貝爾庫 　　透過一個個毫無轉圜餘地的故事，假名「潘迪」的作者給了讀者難得一見的機會，一窺北韓人民的生活如何陷於「不見

天日的黑暗」當中……後記裡關於班迪的手稿偷渡出境的過程，正揭示了這部作品得以存在於這世上是絕大的奇蹟。——出版家週刊 　　即使對作者一無所知，對原文手稿偷渡出境的過程一無所知，這部作品讓我們憶起關於極權主義的世界文學經典的力道，也絲毫不減！──法國《L’ours》雜誌 　　作者煞費苦心地從他的祖國淬鍊出來的數篇故事，價值非凡……古典的架構讓我們想起果戈里、契訶夫，而讀來荒誕又諷刺的文風，則可比美尤內斯庫和布爾加科夫。──Books Magazine 　　如此珍稀難得的瓶中信，我們應該好好緊握在手，仔細品讀當今世上最後一個馬克思主義政權的悲劇故事。──法國《Le Revenu》雜誌 　　

每一個故事，都敘說著這個無道的獨裁政權的不同面向……潘迪透過犀利的諷刺與黑色幽默，譴責極權主義與北韓社會的分裂，也譴責一黨專政體制的荒謬與腐敗。──法國《La Grande Parade》雜誌 　　這些故事敘述的，是尋常百姓如何因為某些荒謬的原因受盡侮辱與毆打，表情空洞怪誕的政府爪牙和極盡諂媚的鄰人如何在一旁圍觀，而受難者又是如何被一個箝制國家長達六十年的獨裁政權逮捕、懲罰。擲地有聲、打破沉默的作品！──法國《La Vie》雜誌 　　來自仍居於北韓境內、化名為潘迪的作者的反動故事……從覆著神秘面紗的獨裁政權中現身的稀有作品……即將震撼全球文壇！──英國《衛報》記者／艾利森‧弗洛德 　　北

韓邊界滴水不漏，除了政戰文宣以外什麼小說都出不去，任何異議更是打壓得徹徹底底。於是這本小說一偷渡出境，立刻在全球出版界颳起颶風！──圖書館期刊 　　本書作者身分不詳，他也樂於保持這種狀態。他至今仍居住在一個為暴政所控制的國家，冒著生命危險從事寫作。他用帶著幽默的筆觸，描述獨裁政權下的日常生活，那些極端悲慘的景況。而統治者佈下的監控網絡，讓所有人都可能是潛在的線民或間諜。──《Mag Dimanche》雜誌 　　精雕細琢的作品……《控訴》充滿讓人難以忘懷的駭人故事……值得一讀！──Complete Review網站 　　極富人性的作品，潘迪是一位真正的作家！──法國《Lecturama.f

r》網站 　　來自全球最獨裁政權的罕見故事……戲劇性十足，讓人一頁接著一頁！——《Quartz》雜誌 　　對於北韓人民真實生活感興趣的讀者……本書敘說的尋常百姓生活，會讓你深深沈浸其中！——The Millions網站 　《控訴》勇敢地為長久以來渴望自由的數百萬計的人民發聲！──英國《Culture Trip》雜誌 　　這七篇故事的總集面市，是出版界的歷史性大事！──《Livres Hebdo》雜誌 　　如果詩作一如華茲華斯所說，是將澎湃情緒憶念成靜謐文字的方式，那麼《控訴》表現的，就是持續處於危機當中時那正在澎湃的情緒……《控訴》的寬宏與勇氣，已是一種大愛的行誼！──英國《衛報》讀

者／RO Rwon 　　---中文簡介擷取自中譯本《控訴》，平安文化出版 　　*開本說明：此書為特殊不修邊裁切（Deckle Edge） 　　The Accusation is a deeply moving and eye-opening work of fiction that paints a powerful portrait of life under the North Korean regime. Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that

make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a

former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusatio

n is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions. Winner of a PEN Translates Award 　　“[A] remarkable collection . . . [the stories’] power is in the plain-spoken, almos

t artless way they convey daily life under an ever-watchful, whimsically cruel regime . . . This courageous book offers an important reminder that not all dystopias are invented.”―Sam Sacks, Wall Street Journal 　　“Searing fiction by an anonymous dissident . . . A fierce indictment of life in the to

talitarian North.”―New York Times 　　“[The Accusation] might be the most dangerous book on the planet right now . . . An historic milestone . . . A powerful denunciation . . . Its very existence is still a hopeful symbol that change is inevitable, if not imminent.”―Vice 　　“They say fact is stranger

than fiction. One book smuggled out of North Korea encapsulates both . . . A reflection of life under North Korean rule . . . This is the first known writer of a book, critical of North Korea, who is still inside the country.”―Paula Hancocks, CNN 　　“The Accusation shines a light on the dark half o

f the Korean peninsula with stories that are as readable as they are important . . . If these stories are an exorcism for the author, they are a revelation for us; The Accusation is fiction, but it is fiction that screams truth. Like its great literary predecessor One Day in the Life of Ivan Denisov

ich, The Accusation is a powerful work that seems destined to serve as the go-to example, and indictment, of life in the Democratic People’s Republic of Korea.”―National Post 　　“Deborah Smith . . . vividly brings to English the taut, searing stories . . . Each turn of the page, each moment of anger

and sadness a reader feels for Bandi’s characters comes with a deeper ache. The reader knows, horribly, that all of these things are still happening.”―Minneapolis Star Tribune 　　“Revelatory . . . Bandi, whoever he may be, has made history. He’s illuminated the daily life of North Koreans, presenti

ng them as human beings living in―and in spite of―extraordinary circumstances. The Accusation, which is a triumph simply for existing, places Bandi in the canon of dissenting literature. Now we can only hope to read more of his work.”―Paste 　　“The seven stories . . . aptly convey the hardships and

constant trauma that people face in a country cut off from the rest of the world . . . Written with deep emotion and elegance.”―Business Standard 　　“All we can do is to read these ‘accusations.’ Only that will save the writer who wrote and sent them out into the world at the risk of his own life.”―

Kyung-Sook Shin, New York Times bestselling author of Please Look After Mom 　　“The Accusation is a stark and often despair-inducing collection, but one we should read with great urgency at this moment, both as a document of what is and what could be and as a way to continue gaining better understan

ding of the complexities of North Korean society, which remains elusive to the West . . . The Accusation represents a milestone for those living outside the DPRK, but also in a sense for those living within its borders . . . Bandi refuses simplicity for his characters. Instead he gifts them forceful

and vivid voices.”―Words Without Borders 　　“A startling collection of short stories revealing the brutal reality of life inside the isolated regime . . . A remarkable feat of dissident literature . . . The seven short stories and one poem presented in The Accusation are based on harrowing true eve

nts, which only heightens their import and impact . . . A clarion call for justice, The Accusation is an unforgettable testament to indomitable human spirit, written with an unbending commitment to the truth, at times difficult to bear, but also spiked with a sharp satirical spear . . . Immeasurably

vital.”―New Daily 　　“This is an extraordinary tale of ordinary people in North Korea . . . A highly readable, nuanced, credible picture of a country where ordinary people go about their lives treading around the regime, and sometimes bumping into it.”―BBC World Service 　　“A collection of courageo

us and confounding short stories . . . expertly translated by Deborah Smith . . . Shows similarities of both quality and content to stories by authors as various as Gorky, Solzhenitsyn and Chen Ruoxi, or even Chinese contemporaries such as Yan Lianke . . . Vivid and uncompromising storytelling.”―New

Statesman (UK) 　　“These short works offer powerful insights into a world behind walls . . . In its scope and courage, The Accusation is an act of great love.”―Guardian 　　“Unflinching tales from North Korea . . . Enlightening . . . A compelling collection.”―Observer (UK) 　　“The Accusation takes u

s across a deep cultural and political border . . . The stories, written between 1989 and 1995, constitute a passionate J’accuse . . . Shines a necessary light on what remains one of the darkest places on Earth.”―Hamilton Spectator 　　“A rare piece of fiction from one of the world’s most repressive

regimes . . . A dramatic page-turner.”―Quartz 　　“For readers interested in a candid look at life in North Korea, The Accusation . . . will immerse you via the stories of common folk.”―Millions 　　“The Accusation continues to make international history as the first literary work smuggled out of repr

essive North Korea . . . Illuminating stories that reveal desperate lives enduring terrifying day-to-day challenges . . . British translator Smith . . . expertly delivers Bandi’s subversive prose with nuanced grace . . . As Bandi’s characters both fear and sling accusations, the title takes on pierc

ing gravitas for readers.”―Booklist (starred review) 　　“With these uncompromising stories, the pseudonymous Bandi gives a rare glimpse of life in the “truly fathomless darkness” of North Korea . . . An endnote about how Bandi’s collection was smuggled out of the country reveals just how miraculous

it is that it exists at all.”―Publishers Weekly 　　“Fugitive fiction―literally―from inside North Korea, devastatingly critical of the Kim dynasty and its workers’ paradise . . . There is a streak of satire in these stories, but mostly they are grimly realistic . . . Certainly the author has access t

o the broad sweep of North Korean society, from industrial workers and farmers to midlevel political functionaries . . . An important document of witness.”―Kirkus Reviews 　　“No fiction beyond a trickle of agitprop has passed beyond North Korea’s borders, and of course dissident voices are suppresse

d altogether. When it was smuggled out, this story collection became an international publishing sensation.”―Library Journal 　　“Well-crafted stories . . . The Accusation is a haunting, disturbing collection . . . worthwhile.”―Complete Review 　　“[A] slim, powerful volume.”―Week 　　“Bandi’s writing

style is markedly different from that of Western fiction . . . The rather bare-bones, bracing style fits the stories told. Their content has so much implicit drama and heartache, there’s no need to elaborate . . . The Accusation is a quick read . . . Worthy of attention.”―Crime Fiction Lover 　　“The

stories are understated but the dissent is scorching. The only way to adequately honour writing that puts the author’s life in danger is to read it.”―Globe and Mail 　　“Dissident tales from pseudonymous author Bandi, still living in the country . . . very rare fiction to emerge from the secretive d

ictatorship . . . on its way to becoming an international literary sensation.”—Alison Flood, Guardian 　　“[A] remarkable collection of stories . . . Revealing the terrible truth of living in a country where any any freedoms are curtailed, where famine and brutality are rife, but where human belief a

nd hope can survive any odds, this is a defining read for 2017.”―Emerald Street (UK) 　　“The Accusation courageously speaks for millions of people who collectively long for a life of peace.”―Culture Trip 　　“Plunges us into the daily life of families in North Korea. These stories are the cry of a ma

n suffocated by totalitarianism. These are also the cry of an entire people who have been broken under the yoke of North Korean communism . . . The author makes use of storytelling, poetry, humor, and even the burlesque to aid his condemnation of these unbearable injustices. The writing is simple, h

umble, which gives it its beauty. The seven novellas shine with humanity and tenderness.”—Aleteia 　　“This collection of novellas that the author managed to extract from his country is of incredible value . . . The classic construction reminds us of Gogol and Chekhov, and for their taste for absurdi

st satire, Ionesco and Bulgakov.”—Books Magazine 　　“Describes in very impressionistic, subtle, almost veiled tones, if I may, the daily life of a dictatorship . . . The book gives a human face, gives stories and images, to the sufferings of North Koreans . . . I was almost groggy by the time I fini

shed reading, reminding myself of just how lucky I am to live in a democracy . . . I thought of Orwell and Kafka but realized that the country described here really exists and that there are people who are living there, perhaps not even knowing that a different kind of life is possible.”—L’express

　　“Bandi, a pseudonym that means “firefly”, has achieved the unthinkable – offering a testimony on the dictatorial regime of North Korea while remaining in situ . . . In the same way as the works of Solzhenitsyn in their time, Bandi’s writing reminds us of the perennial necessity of battling censors

hip, whatever the cost.”—L’amour des livres 　　“This author is completely unknown and would like to stay that way. He continues to live in a country that is held fast by an iron fist, putting his life at risk by writing. He describes, not without humor, the ordinary life of this dictatorship, the ex

treme misery there, and the surveillance networks that have been put in place by the regime, which make everyone into a potential spy or informant.”—Mag Dimanche 　　“Even if one did not know anything about the writer or the way the manuscript was smuggled out of the country, it would not diminish th

e fact that the force of this collection of novellas evokes the classics of world literature about totalitarianism.”—L’ours 　　“A message in a bottle that is so precious that we should all reach out to grab it and better understand the tragedy of the last Marxist regime in the world.”—Le Revenu 　　“

Stories of simple people that are humiliated and beaten down for absurd reasons, watched over by grotesque henchmen and toadying neighbors, arrested and punished by a dictatorship that has held the country under its heel for six decades. A book to burst the silence.”—La Vie 　　“This rare collection

offers seven moving novellas, snapshots of a country where nothing normal ever leaks out . . . A far cry from the grandiloquent, ridiculous images that are thrown out by the Kim Jong-Un regime, The Accusation offers the opportunity to discover a moving portrait of a secret country, a forgotten land

where humanity only asks to try to triumph.”—Lire 　　“No one could imagine that it could be at all comical to live in a dictatorship, but in describing the limitless absurdity of the system, Bandi sometimes makes the reader give out a nervous laugh . . . A fragile hint of light in a country that con

fuses democracy with obscurantism.”—L’Alsace 　　“Each of these stories shows a different aspect of the remorseless dictatorship . . . With a fierce sense of irony and a deeply dark humor, Bandi denounces totalitarianism, the divisions in North Korean society, and the absurdity and corruption of the

one party system.”—La Grande Parade 　　“Stories written with a great humanity, the work of a true writer.”—Lecturama.fr

公職人員財產申報法實務辦理之研究─政風人員視角

為了解決scorching中文的問題，作者涂文馨 這樣論述：

公職人員財產申報法為與公職人員利益衝突迴避法、政治獻金法及遊說法為共列為陽光四法，而陽光法案主要立法目的為促進廉能政治、端正政風以達到公開透明的廉能政府，然財產公職人員產申報法實行至今已逾20年期間除貪瀆犯罪仍層出不窮外更多的是申報義務人的批評和抱怨，似乎與當初欲藉該法以達到發掘貪瀆不法情事之目的有所違背。為瞭解目前政風人員辦理財產申報實務現況、法規面、制度面及執行面可改進之處，本研究採取質性研究方式，用深度訪談的方式以理解辦理財產申報政風同仁內心想法或信念，訪談承辦財產申報業務政風同仁共計6位，獲得的結論如下述：一、法規面：(一)將成年子女納入申報範圍。(二)於申報義務人範圍並中納入具實權

人員及刪除無實權人員。(三)減少「現金、珠寶、古董、字畫」之財產申報內容。(四)增加裁罰種類並對誠實申報者予以獎勵。(五)修改風機構辦理公職人員財產申報資料審核作業要點第12點增加有關「更正」之規定。(六)刪除指定申報規定。(七)故意申報不實之規定應有程度上的差異。二、制度面：(一)財產申報配合報稅期日並改為1年或2年申報1次。(二)受理申報及裁罰機關應分開、(三)僅對風險紀律人員進行財產申報實質審核。三、執行面：(一)以擴大授權或委託超然公正第三者協助辦理該業務解決人力不足問題。(二)持續推行財產申報零裁罰政策以降低財產申報義務人受裁罰比率。最後，公職人員財產申報法如研究參與者所言應該為帶來

希望的和煦陽光而非灼人烈日。