Meditates的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到附近那裡買和營業時間的推薦產品

Meditates的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Tuama, Pádraig Ó.寫的 Poetry Unbound: 50 Poems to Open Your World 和Truitt, Anne的 Yield: The Journal of an Artist都 可以從中找到所需的評價。

另外網站Meta-Meditation: A Skeptic Meditates on Meditation - Scientific ...也說明:I've meditated on and off, mostly off—okay, almost entirely off--since my early 20s, when I learned Kundalini yoga (which has a meditation ...

這兩本書分別來自 和所出版 。

國立臺灣師範大學 歐洲文化與觀光研究所 賴嘉玲所指導 許寧倢的 虛擬博物館作為兒童藝術教育之推手—以Tate Kids網站為例 (2017),提出Meditates關鍵因素是什麼,來自於藝術民主化、虛擬博物館、兒童藝術教育、文化資本。

而第二篇論文國立嘉義大學 視覺藝術學系研究所 謝其昌所指導 趙珮君的 自然之凝-趙珮君水墨創作論述 (2017),提出因為有 藝術創作、水墨畫技法、藝術與自然環境、心靈表現的重點而找出了 Meditates的解答。

最後網站27 Meditation Statistics: Data and Trends Revealed for 2022則補充:General wellness is the number one reason people gave for meditating. It is believed that globally between 200 and 500 million people meditate.

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Meditates,大家也想知道這些:

Poetry Unbound: 50 Poems to Open Your World

為了解決Meditates的問題,作者Tuama, Pádraig Ó. 這樣論述:

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appeal

ing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives.Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, M

argaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mo

ther’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience.For anyone who has wanted to try their hand at a conversat

ion with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

Meditates進入發燒排行的影片

虛擬博物館作為兒童藝術教育之推手—以Tate Kids網站為例

為了解決Meditates的問題,作者許寧倢 這樣論述:

位於英國倫敦的泰德美術館(Tate Gallery)旗下之Tate Kids (https://kids.tate.org.uk/) 網站是專門為六至十二歲兒童所設計的虛擬博物館。虛擬博物館不只是一個學習環境,虛擬空間所能展示的聲光、遊戲及互動等效果能讓兒童感受到與眾不同的體驗(Crow & Din, 2009),博物館透過數位科技將原屬於高級文化的藝術作品在如視覺、聽覺等感官刺激的加持之下成為適合兒童學習的內容,並賦予其自主探索、互動以及參與學習的機會。泰德美術館利用Tate Kids架起了連結藝術與兒童之間的橋樑,本研究將Tate Kids網站視為一博物館展覽文本,並採取質性研究中之論述

分析法、文本分析法及質性訪談法等三個方式進行,在資料蒐集與分析的過程援引法國社會學家Pierre Bourdieu對於藝術感知(perception)、品味和階級再生產(reproduction)等理論,以釐清以下三個問題意識:一、文化資本介入虛擬博物館之形式;二、虛擬博物館的兒童藝術教育形式;三、Tate Kids於臺灣兒童藝術教育之實踐。同時審視Tate Kids如何利用數位資源作為推廣兒童藝術教育之工具,以及其在推廣兒童藝術教育與促進藝術民主化的過程中,對不同階級和擁有不同文化與數位資本的兒童之影響。

Yield: The Journal of an Artist

為了解決Meditates的問題,作者Truitt, Anne 這樣論述:

This posthumously published work serves as the fourth and final volume in Anne Truitt’s remarkable series of journals"Impressive . . . Truitt lyrically looks back on 80 years of life. . . . [T]hese daily entries . . . offer a version of Truitt free of artifice as she meditates on the sacred and m

undane. . . . This sparks with intelligence."--Publishers Weekly"Truitt wrote as she sculpted, returning to the past again and again to find fresh truths. . . . A model of discipline and open-ended inquiry and a welcome counterweight to the kind of anxieties that so often accompany a creative practi

ce."--Megan O’Grady, New Yorker In the spring of 1974, the artist Anne Truitt (1921-2004) committed herself to keeping a journal for a year. She would continue the practice, sometimes intermittently, over the next six years, writing in spiral-bound notebooks and setting no guidelines other than to "

let the artist speak." These writings were published as Daybook: The Journal of an Artist (1982). Two other journal volumes followed: Turn (1986) and Prospect (1996). This book, the final volume, comprises journals the artist kept from the winter of 2001 to the spring of 2002, two years before her d

eath. In Yield, Truitt’s unflinching honesty is on display as she contemplates her place in the world and comes to terms with the intellectual, practical, emotional, and spiritual issues that an artist faces when reconciling her art with her life, even as that life approaches its end. Truitt illumi

nates a life and career in which the demands, responsibilities, and rewards of family, friends, motherhood, and grandmotherhood are ultimately accepted, together with those of a working artist.

自然之凝-趙珮君水墨創作論述

為了解決Meditates的問題,作者趙珮君 這樣論述:

本研究定位於關照自然環境之生態、生命之啟發以及自我內心情感之抒寫。透過水墨渲染之特性,將自然萬物與內心想像和情感之結合,表達萬物均為一體之概念,呈現朦朧與萬物和諧之表現。筆者將對生活的體悟經由潛意識與內心沉澱,轉化於藝術創作中,其內容以金魚、連綿的絲線、果實等動植物題材,結合想像將內心情感呈現於作品中,透過藝術理論加以強化並塑造個人之創作理念,並整合創作作品,已達「自然之凝」之創作精神。本研究共分為五個章節,第一章「緒論」為探討研究動機與目的,回朔自我童年記憶,魚兒悠游自在之氛圍成為成長過程中所嚮往的生活境界,以致創作出動植物和諧之世界,省思自然環境之議題。第二章「學理基礎」藉由超現實主義探

討與自我潛意識相關之論述,分析相關藝術家,以探討自我作品中的誇張圖像與非現實之空間。透過莊子思想之精神、東方自然觀、東方之虛實空間之理論,探討自然環境之精神與創作理念以及分析創作作品中的留白與虛實。第三章「創作理念」分別探討生命與情感之結合、心靈自由之渴望、內心理想之空間,從內在探討自我情感與心靈到外在環境生態之影響。在創作作品形式中,探討蜿蜒曲線與圓之象徵意義。在水墨技法上,承襲傳統技法的勾勒與渲染,並實驗特殊技法:噴法、版印、拼貼、特殊肌理效果,開拓不同水墨表現之風貌。第四章「作品詮釋與分析」以解析自我作品。第五章「結論」總結研究內容,評析自我之研究,審視自我並檢討研究不足之部分,從中分析

出研究之意義與價值。本研究不僅是自我探索內心之成長歷程,更期望給予觀者在閱讀此論文或觀看創作作品的同時,能夠產生共鳴以及喚起對自然環境之重視。